So, obviously, I ended up on the couch on a Friday night, beside my mom and my brother, watching Undercover Boss and seething. I don't know how the channel ended up there between The Rick Mercer Report and plans to watch David Fincher's House of Cards on Netflix, but forty-five minutes later I was stuck in CBS's capitalist fantasy, waiting for the inevitable end.
For those of you who are privileged enough to have never seen an episode of Undercover Boss, the basic premise is this: head corporate honcho joins climbs down the ladder to join little people in the trenches for a few days. While on the job -- washing dishes, doing sanitation work, or in tonight's episode, cutting chickens in half at Boston Market -- the bosses learn something about just how difficult it is to do intellectually bereft, physically repetitive, and socially unrewarding work all day, and show off their newfound respect for the worker by bestowing gifts of cash and promotion on the the employees with the most tragic stories and cheeriest demeanors. In this particular episode, three employees received approximately $20,000 each, to which one drive-thru worker responded with an exclamation that God moves in mysterious ways.
Like essentially every other reality television show, Undercover Boss offers emotional payout in the form of providential benevolence. We can all feel good because the single mother going to school part-time on her days off can move up in the company, and the aspiring nurse can quit her second job to learn the break management software and teach it to the regional market leaders. Or at least we can until we think about the other seventy-five employees who are still moving warmed-over green beans around in a stainless steel box to make them look "nice" for the customers. But Undercover Boss bothers me more than shows like American Idol or Say Yes to the Dress because it touches more on the realities of life in the service industry while simultaneously valorizing the enforcement of brand-management affect-policing.
The Boston Market episode makes this particularly evident because it is apparently the only episode in which an employee is fired by the undercover boss. While the self-proclaimed "Kim Kardashian" of Boston Market is an abrasive personality who clearly takes some perverse pleasure in shit-talking the clientele, he is ultimately fired not for expressing these sentiments to a customer (he does not), but to a woman he presumes to be a non-Boston Market diner waitress with aspirations to owning a restaurant. In this context, his catty vitriol re: elderly customers and crying children comes off less as corporate insubordination and more like service-worker solidarity. "It's not mean of me to hate customers," he says at the end of the episode, and while it certainly would be 'mean' to hate any of them as individuals, a generalized resentment of the category of customer on the part of service workers seems almost banal.
But more than the firing of a petty and disgruntled employee, it's the weekly rehashing of the 'boss goes slumming' schtick that really grates. What it makes evident, in the end, is that none of the bosses worked their way up in the company, but were rather outside hires. This gives lie to the opportunities provided, at the end of each episode, to those few selected employees to "move up" in the company. Ultimately, the boss goes back to her job mending Boston Market's failing brand -- a job depicted at the beginning of the show as consisting mostly of tasting chicken and spouting off phrases about better living through fast food -- and the rest of Boston Market's front line employees go back to their dead-end service jobs without a $20,000 reward from corporate for busting their ass while still attending school. The fact is, retail, food service, administrative, and other low-wage jobs are often defined by dead-end career development, unpredictable hours, minimal benefits, and precarious job security. The fantasy that things would be better on the bottom if only those on the top knew just how hard it was strips workplace relations of any political context, relegating the experience of the worker to a simple test of who can be the happiest when the cameras are on.
Showing posts with label rampant stupidity. Show all posts
Showing posts with label rampant stupidity. Show all posts
Saturday, February 2, 2013
Saturday, February 19, 2011
Quick Hits: the GOP hates women edition
The following bills have recently been put on the table (and then occasionally shelved, hallelujah) by various state and federal Republican representatives:
- The proposed GOP budget cuts for fiscal year 2011 mean a drastic decrease in funding for domestic violence prevention programs; this includes the elimination of the Violence Against Women Health Initiative and the Engaging Men and Youth in Prevention programs, as well as a $7 million cut to Family Violence Prevention and Services Act, which funds domestic violence shelters and the national hotline for domestic violence victims.
- The "Title X Abortion Provider Prohibition Act", introduced by Representative Mike Pence (R-IN) would amend the Public Health Services act to prevent any organization that provides abortions--except in cases of incest, rape, or when the woman's life is endangered--from receiving family planning grants. Under the existing Act, Title X funds are not used on abortion services, but on family planning and preventative health initiatives. The change to this act would effectively defund Planned Parenthood. The House has voted in favour of the act.
- H.R.3 and H.R.358 are both on the table in the House. H.R.3, the "No Taxpayer Funding for Abortion Act", originally sought to redefine rape (this has since been removed from the bill), and strong arms insurance companies into not covering abortion services, as well as imposing a tax burden on small businesses that purchase plans that cover abortion. H.R.358, the "Protect Life Act", carries a provision that would allow health care providers to deny live-saving abortion care to women with dangerous pregnancies. It also bans insurance coverage of abortion in the new health care system.
- The Ohio State Legislature recently tabled a "Heartbeat Bill", which would ban abortion after a heartbeat is detected in the fetus. The heart is one of the first organs to develop in a fetus, and heartbeats are detectable between eighteen days and six weeks into the pregnancy. The presence of a heartbeat does not indicate viability. If passed, the bill would likely provide an avenue for a Supreme Court challenge of Roe v. Wade.
- Meanwhile, the South Dakota Legislature has (thankfully) shelved a bill that would have rendered as "justifiable homicide" those murders in service of protecting an unborn child. In a country that has seen the murder of abortion providers and the bombing of abortion clinics, this is clearly a concern. From the NYTimes article: "Dave Leach, an Iowa anti-abortion activist, praised the bill, saying it could end abortions in South Dakota by scaring away doctors or by establishing grounds for someone to kill those who stay.'There may be something I’m overlooking, but from all appearances, this bill would certainly justify an individual taking the life of an abortionist in order to save human lives,' he said."
- Melissa McEwan, on the bullshit that is the anti-choice position: "No one can argue, with any honesty or credibility, that they give a fuck about the sanctity of life if they would force a woman to carry to term an unwanted or unviable pregnancy against her will. That is the opposite of a respect for life, if the definition of "life" is to have any meaning at all."
Friday, February 11, 2011
Pepsi thinks women are morons
Good news ladies! Diet Pepsi will soon be available in a "taller, sassier new Skinny Can" that the company says is a "celebration of beautiful, confident women".
The six inch tall new can debuts at New York fashion week, and, according to the chief marketing officer at Pepsi, is "the perfect complement to today's most stylish looks". Well thank god that Pepsi is stepping out into the forefront of tailoring soft drink packaging to women's fashion. I know I certainly won't be picking up a can of Coke anymore, not with it's gawdy red-and-white, disgusting stubby form. Why drink soda in a fat can when you can drink soda in a skinny one? Am I right ladies?
The press release goes on: "Diet Pepsi has a long history of celebrating women through iconic fashion imagery seen in our infamous and historical campaigns, and we're proud to continue that tradition". I'm so glad that Pepsi is confronting the major issues of that women face today. That my diet soda be sassy and a celebration of my skinny, fashionable femininity is certainly high on my list of priorities. It's right up there with reproductive rights and equal pay. So here's a hearty thank you to Pepsi, for reminding women that if you're drinking soda, it should be diet, and that beauty and confidence come hand-in-hand with being fashionable and skinny. Three cheers for Pepsi: they've managed to catch up to the marketing strategies of the late 1960s. You've come a long way, baby.
The six inch tall new can debuts at New York fashion week, and, according to the chief marketing officer at Pepsi, is "the perfect complement to today's most stylish looks". Well thank god that Pepsi is stepping out into the forefront of tailoring soft drink packaging to women's fashion. I know I certainly won't be picking up a can of Coke anymore, not with it's gawdy red-and-white, disgusting stubby form. Why drink soda in a fat can when you can drink soda in a skinny one? Am I right ladies?
The press release goes on: "Diet Pepsi has a long history of celebrating women through iconic fashion imagery seen in our infamous and historical campaigns, and we're proud to continue that tradition". I'm so glad that Pepsi is confronting the major issues of that women face today. That my diet soda be sassy and a celebration of my skinny, fashionable femininity is certainly high on my list of priorities. It's right up there with reproductive rights and equal pay. So here's a hearty thank you to Pepsi, for reminding women that if you're drinking soda, it should be diet, and that beauty and confidence come hand-in-hand with being fashionable and skinny. Three cheers for Pepsi: they've managed to catch up to the marketing strategies of the late 1960s. You've come a long way, baby.
Wednesday, February 9, 2011
Assholes threaten rape on the Internet
(Trigger warning for abhorrent threats of rape and sexual violence; also for terrible language on my part)
Dear Internet men,
I think it's time we had a chat. You know I love all y'all to pieces -- where would I be without the glory of 4chan generated Xzibit memes, epic co-op games of Diablo II, and yes, even off-color Penny Arcade comics. But this recent re-tread of the whole "dickwolves" debacle has forced me to do the thing that I least like doing in the world: reading internet comments that call for "feminist bitches" to be raped for their supposed lack of a sense of humor.
I know you think it's the epitome of fucking hilarious to call for the rape of "dyke cunts" or to debate amongst yourselves (in public) whether or not "fat whores" can truly be raped in light of their eternal unattractiveness. The thing is, though, it's not funny. It's not clever. It certainly isn't new. And here are some reasons why:
Fugitivus: A woman walks into a rape, uh, bar:
For those of you who wonder why rape victims get all super sensitive about rape jokes ‘n shit, well, this is why. Before you’re raped, rape jokes might be uncomfortable, or they might be funny, or they might be any given thing. But after you’re raped, they are a trigger. They make you remember what was done to you. And if the joke was about something that wasn’t done to you, not in quite that way, you can really easily imagine how it would feel, because you know how something exactly like that felt. Rape jokes stop being about a thing that happens out there, somewhere, to people who don’t really exist, and if they do they probably deserved it, and they start being about you. Rape jokes are about you. Jokes about women liking it or deserving it are about how much you liked it and deserved it. And they are also jokes about how, in all likelihood, it’s going to happen to you again.Melissa McEwan: Rape Culture 101:
Rape culture is rape jokes. Rape culture is rape jokes on t-shirts, rape jokes in college newspapers, rape jokes in soldiers' home videos, rape jokes on the radio, rape jokes on news broadcasts, rape jokes in magazines, rape jokes in viral videos, rape jokes in promotions for children's movies, rape jokes on Page Six (and again!), rape jokes on the funny pages, rape jokes on TV shows, rape jokes on the campaign trail, rape jokes on Halloween, rape jokes in online content by famouspeople, rape jokes in online content by non-famous people, rape jokes in headlines, rape jokes onstage at clubs, rape jokes in politics, rape jokes in one-woman shows, rape jokes in print campaigns, rape jokes in movies, rape jokes in cartoons, rape jokes in nightclubs, rape jokes on MTV, rape jokes on late-night chat shows, rape jokes in tattoos, rape jokes in stand-up comedy, rape jokes on websites, rape jokes at awards shows, rape jokes in online contests, rape jokes in movie trailers, rape jokes on the sides of buses, rape jokes on cultural institutions…
Rape culture is people objecting to the detritus of the rape culture being called oversensitive, rather than people who perpetuate the rape culture being regarded as not sensitive enough.From Melissa McEwan again: Off-Limits Humor:
But here’s the main reason I object to the use of “politically incorrect” humor at this blog: There’s awhole fucking world out there where women and gay men and trans wo/men and racial minorities and the disabled and the overweight and people who are intrinsically and inescapably “different” for any reason are made fun of, marginalized, turned into punchlines. There’s a whole fucking world out there which expects us all to be perfect according to some arbitrary definition and seeks to punish us if we’re not. There’s a whole fucking world out there where people who don’t conform to that standard are not only ridiculed and made to feel not good enough, but can also find themselves at real risk of physical harm. Where they’re denied rights, job opportunities, friendships, votes, equality. If you want to use “politically incorrect” humor that targets those people, you have the entire rest of the bloody world to do it, but you can’t do it here.And again: Survivors are So Sensitive:
Quite honestly, my objection to rape jokes is not even because I particularly find the jokes personally triggering anymore; I generally just find them pathetic and inexplicable. And while I'm bothered by the fact that the jokes normalize and effectively minimize the severity of rape and thus perpetuate the rape culture, I'm more bothered by the thought of a woman who's recently been raped, who's just experienced what may be the worst thing that will ever happen to her, and goes to the site of her favorite webcomic, or turns on the telly, or goes to the cinema, or a comedy club, to have a much-needed laugh—only to see that horrible, life-changing thing used as the butt of a joke.Here's the thing. I have a stupid, dark sense of humor. I actually enjoyed the original Penny Arcade comic. But if someone told me that I said something shitty that made them relive a terrible episode in their life? I'd shut the fuck up and apologize, and probably re-examine why I thought that thing was funny in the first place.
What I absolutely would not do is troll their blogs (and enlist my friends to do the same) to threaten them with one of the most heinous acts that can be committed by one person upon another. The idea of doing that is absolutely disgusting to contemplate, and the idea of receiving such comments is an absolutely terrifying prospect. And yet, it's not a "few bad apples" who do this online. It happens. All. The. Fucking. Time.
In case you're wondering what comments look like on feminist blogs, by the way, Melissa also has a few examples:
Comment on Rape is Hilarious: The only tragedy is that a bullet didn’t rip through your brainstem after you were used for your one and only purpose in this world. You should consider yourself lucky that some man finds a hideous troll like yourself rape-able.
Three comments down on the same post: These fat whores would be lucky to even get raped by someone. I hope you whiny cunts find your way on top of a pinball machine in the near future.Feministe holds a Next Top Troll competition that's been going on for several "seasons" now. Exemplars of the commenters up for the award:
What man would want to date an egotistical, finger-wagging bitch like you, other than to fuck you and then leave right afterward because you’re an insufferable nag.
You “ladies” have obviously had too many “dickbags” in your lives. You all should just relax, shut up, get on your knees, and do the only thing you are good for.Or just check out FatUglyorSlutty.com to get your fix of how retrofucks treat women on the Internet.
See, the thing is, I don't think most Internet men make comments like this. But a hell of a lot of them do. And they very rarely get told that it's not acceptable, and very often get told that it's hilarious. And part of the purpose of the link-frenzy above is to say you know what? This happens. It happens a fucking lot.
So this is my plea to dudes on the Internet. Go forth. Engage. Get angry. Be assholes, if you absolutely must. But stop fucking threatening women with rape. It's abhorrent. It's disgusting. It's borderline (if not over the line) criminal. But most of all, it's terrifying. And if what you want is for women (and feminist girl geeks in particular) to stop thinking that geek circles are full of anti-feminist, retrofuck, juvenile, misogynist dickbags, the first step is to stop being one.
Labels:
feminism,
geekery,
rampant stupidity,
violence against women
Monday, October 4, 2010
The paranoid style, revisited
In November 1964, Harper's Magazine published an essay by Richard Hofstadter entitled "The Paranoid Style in American Politics". The essay deals with what Hofstader describes as a paranoid style prevalent (although by no means limited to) in the right wing of American politics. The paranoid style, he argues, is defined by an attitude of heated exaggeration, suspiciousness, and 'conspiratorial fantasy'. Under the umbrella of the paranoid style, Hofstadter includes movements against Illuminism and Freemasonry, against Jesuit intellectuals and a nebulous mid-century Communism. What makes "The Paranoid Style" worth revisting, however, is the way in which Hofstadter's description almost perfectly describes the current political discourse in the US.
The modern right-wing -- in Hofstadter's time institutionalized in the anti-Communist John Birch Society and the Barry Goldwater campaign -- feels "largely disposessed". He goes on:
Hofstadter goes on to describe the 'paranoid spokesman':
The relevance of Hofstadter's essay today is not only in its description of a political discourse that seems to map quite well onto the contemporary political landscape. It is also in its ability to trace this political style through the annals of history. The paranoid style is nothing new, Hofstadter points out. It does not have its genesis in the Tea Party, nor in the McCarthyism of the mid 20th century. While many contemporary article look to explain the Tea Party without the long-view of historical context -- see Matt Taibbi in Rolling Stone for an excellent recent example -- Hofstadter's article points to a problem embedded in American public life, one that requires analysis and careful understanding, rather than dismissal. While he uses the word 'paranoid' in the title of his essay, Hofstadter never dismisses those who engage in the paranoid style as crazy, and thus easy to marginalize. Rather, he takes seriously the idea that something in American civil society prompts the emergence of this style in the form of the mass movement, rather than the modest minority. It is this insight that renders "The Paranoid Style in American Politics" worth revisiting.
For an excellent dramatic reading of sections of the essay, and an interesting panel discussion on the piece in relation to contemporary American life: CBC's The Sunday Edition from September 20, 2009.
For a lengthy portrait of Glenn Beck and his career, see the NYTimes Magazine: Being Glenn Beck.
*For more on the anti-intellectualism in American politics, see Hofstadter's excellent Pulitzer Prize-winning Anti-Intellectualism in American Life.
The modern right-wing -- in Hofstadter's time institutionalized in the anti-Communist John Birch Society and the Barry Goldwater campaign -- feels "largely disposessed". He goes on:
America has been largely taken away from them and their kind, though they are determined to try to repossess it and to prevent the final destructive act of subversion. The old American virtues have already been eaten away by cosmopolitans and intellectuals*; the old competitive capitalism has been gradually undermined by socialistic and communistic schemers; the old national security and independence have been destroyed by treasonous plots, having as their most powerful agents not merely outsiders and foreigners as of old but major statesmen who are at the very centers of American power. Their predecessors had discovered conspiracies; the modern radical right finds conspiracy to be betrayal from on high.The similarity of the rhetoric described here to the claims made by followers of the Tea Party is almost prophetic. Here is Glenn Beck on his television show on Sept 2, 2009, exploring the secretly 'communist' and 'fascist' of the Rockefeller Center. He alternately ties the art to Mussolini and Italian fascism, communism, and the United Nations, as well as to Rockefeller himself:
Hofstadter goes on to describe the 'paranoid spokesman':
The paranoid spokesman sees the fate of conspiracy in apocalyptic terms--he traffics in the birth and death of whole worlds, whole political orders, who systems of human values. He is always manning the barricades of civilization...Since what is at stake is always a conflict between absolute good and absolute evil, what is necessary is not compromise but the will to fight things out to the finish. Since the enemy is thought of as being totally evil and totally unappeasable, he must be totally eliminated--if not from the world, at least from the theatre of operations to which the paranoid directs his attention.Glenn Beck on his radio program, on October 4, 2010 (with bonus mention of Canada):
The relevance of Hofstadter's essay today is not only in its description of a political discourse that seems to map quite well onto the contemporary political landscape. It is also in its ability to trace this political style through the annals of history. The paranoid style is nothing new, Hofstadter points out. It does not have its genesis in the Tea Party, nor in the McCarthyism of the mid 20th century. While many contemporary article look to explain the Tea Party without the long-view of historical context -- see Matt Taibbi in Rolling Stone for an excellent recent example -- Hofstadter's article points to a problem embedded in American public life, one that requires analysis and careful understanding, rather than dismissal. While he uses the word 'paranoid' in the title of his essay, Hofstadter never dismisses those who engage in the paranoid style as crazy, and thus easy to marginalize. Rather, he takes seriously the idea that something in American civil society prompts the emergence of this style in the form of the mass movement, rather than the modest minority. It is this insight that renders "The Paranoid Style in American Politics" worth revisiting.
For an excellent dramatic reading of sections of the essay, and an interesting panel discussion on the piece in relation to contemporary American life: CBC's The Sunday Edition from September 20, 2009.
For a lengthy portrait of Glenn Beck and his career, see the NYTimes Magazine: Being Glenn Beck.
*For more on the anti-intellectualism in American politics, see Hofstadter's excellent Pulitzer Prize-winning Anti-Intellectualism in American Life.
Thursday, September 30, 2010
Quick Hits: Tea Party Edition
- A Matt Taibbi piece in Rolling Stone: "Vast forests have already been sacrificed to the public debate about the Tea Party: what it is, what it means, where it's going. But after lengthy study of the phenomenon, I've concluded that the whole miserable narrative boils down to one stark fact: They're full of shit."
- Jane Mayer's New Yorker piece on Tea Party funding sources: "At one rally, an effigy of a Democratic congressman was hung; at another, protesters unfurled a banner depicting corpses from Dachau. The group also helped organize the 'Kill the Bill' protests outside the Capitol, in March, where Democratic supporters of health-care reform alleged that they were spat on and cursed at.
- My Country, Tis of Me, from The Atlantic: "Some people think that what unites the Tea Party Patriots is simple racism. I doubt that. But the Tea Party movement is not the solution to what ails America. It is an illustration of what ails America."
Saturday, September 25, 2010
CBS wants you to know that vaginas are crazy!
CBS has a lovely -- if by lovely you mean awful -- little infographic on its website entitled Vaginas: 14 Amazing Facts You Won't Believe. Despite already being warned by Shakesville that this is, in fact, a real thing in the real world, I had to go and see for myself. What wonderful, crazy things would I learn about vaginas that I didn't already know?
The opening page starts with a doozy. "Vagina," they say, "every woman has one". And that's when my alarm bells went from on alert to ringing madly. Vaginas! Every woman does not have one.
And that's just the beginning. Did you know vaginas come equipped with 'pleasure buttons'? They're called clitorises! And, fascinatingly, they are apparently on the vagina, rather than adjacent to it. But my two favourite slides in the whole show, (I'll leave it to you to decide whether or not you want to subject yourself to the rest,) are the ones entitled "Man-Eater" and "The V-Word".
Man-Eater has a picture of a Great White Shark and the following caption: "Vaginas and sharks have something in common. No it's not that both are hazardous to men." Well, thanks for clearing that up CBS. It turns out what vaginas have in common with men is not that they are hazardous to men, nor that they have teeth. No, it's that they both contain a substance called squalene, a trait they also share with olives. Unlike sharks, however, olives would not have allowed the writers to title this section "man-eater". Such is the way of the world.
The V-Word, meanwhile, takes great pleasure in informing you of the following: "The word 'vagina' comes from a Latin word meaning 'sheath for a sword.' Maybe that's why some women find the word offensive -- and why they come up with so many euphemisms." Now, I don't actually know very many women who find the word 'vagina' offensive when it's not being yelled during economics lectures, or the like, but let's presume they are out there. My spidey-senses tell me that the reason people (including, but not exclusive to women) find the word vagina offensive, isn't because of it's Latinate etymology, but rather because we live in a culture that consistently and continuously devalues and marks out women's bodies as objects of disgust, as well as of desire. This probably accounts for the reason all of those euphemisms women are supposedly coming up with are also used as some of the most degrading insults in North American culture.
So hats off to CBS, for teaching me so many fascinating things about vaginas! They're crazy, and also kind of like sharks, but if you have enough sex you'll look younger, and what's more important than that?
The opening page starts with a doozy. "Vagina," they say, "every woman has one". And that's when my alarm bells went from on alert to ringing madly. Vaginas! Every woman does not have one.
And that's just the beginning. Did you know vaginas come equipped with 'pleasure buttons'? They're called clitorises! And, fascinatingly, they are apparently on the vagina, rather than adjacent to it. But my two favourite slides in the whole show, (I'll leave it to you to decide whether or not you want to subject yourself to the rest,) are the ones entitled "Man-Eater" and "The V-Word".
Man-Eater has a picture of a Great White Shark and the following caption: "Vaginas and sharks have something in common. No it's not that both are hazardous to men." Well, thanks for clearing that up CBS. It turns out what vaginas have in common with men is not that they are hazardous to men, nor that they have teeth. No, it's that they both contain a substance called squalene, a trait they also share with olives. Unlike sharks, however, olives would not have allowed the writers to title this section "man-eater". Such is the way of the world.
The V-Word, meanwhile, takes great pleasure in informing you of the following: "The word 'vagina' comes from a Latin word meaning 'sheath for a sword.' Maybe that's why some women find the word offensive -- and why they come up with so many euphemisms." Now, I don't actually know very many women who find the word 'vagina' offensive when it's not being yelled during economics lectures, or the like, but let's presume they are out there. My spidey-senses tell me that the reason people (including, but not exclusive to women) find the word vagina offensive, isn't because of it's Latinate etymology, but rather because we live in a culture that consistently and continuously devalues and marks out women's bodies as objects of disgust, as well as of desire. This probably accounts for the reason all of those euphemisms women are supposedly coming up with are also used as some of the most degrading insults in North American culture.
So hats off to CBS, for teaching me so many fascinating things about vaginas! They're crazy, and also kind of like sharks, but if you have enough sex you'll look younger, and what's more important than that?
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